Tag: political satire

Australian Parliament House exterior under overcast sky, Canberra.

That Was The Week That Was No. 1, Part One: The Repository of All Wisdom

Tony Abbott, they whisper, is the answer. One pauses to consider the question. The man who stopped the boats is looking for votes — and the portfolio he has quietly assembled since Warringah showed him the door is not a gaffe reel. It is an ideology rendered as a CV. Fox Corp is the mothership. The GWPF handles the science. Quadrant handles the culture. The Ramsay Centre handles the universities. The Danube Institute handles the international networking. And the Australian Liberal Party, should Abbott have his way, handles the politics. It turns out he was the repository all along.

Two figures in a sparse television studio: one in a dark suit, comfortable and evasive; the other with a notepad, politely relentless.

Phillip Lowe in a Frock

The RBA has raised the cash rate for the third time in a row. The board voted 8-1. The dissenting member cannot be identified. Someone had a conscience. We just can’t send them a fruit basket. Urban Wronski channels Clarke and Dawe.

A Clarke and Dawe style television interview set. A suited interviewer sits in a grey armchair facing a second chair occupied by a figure whose head has been replaced by a framed oil painting of an LNG tanker labelled AUS-INC. and LIQUEFIED SOVEREIGNTY. Small plastic figurines of cheering people stand at the bottom of the frame.

Clarke and Dawe tribute: The PM Explains Gas

Shell’s Australian chair fronted a Senate inquiry into gas taxation and couldn’t say how much revenue Shell makes from selling Australian gas. She was, however, very clear on the ill-advised part. Urban Wronski channels Clarke and Dawe to interview the Prime Minister about the gas we own, the tax we don’t collect, and the modelling that takes time.

A darkly comic music-hall illustration showing an oversized grotesque figure in a business suit pointing at a gilded mushroom cloud chandelier, while in the background a bombed city silhouette looms and a child holds an almost-empty water bottle beside a drainage culvert.

The Lovely War

Donald Trump threatens Iran the way he once threatened a recalcitrant steak: same wounded, flinty, infant-king fury. A working homage to Martin Amis — on the Epstein flights, the six-billion-dollar goon squad, the taunting of a proud civilisation, and a nine-year-old girl in Minab waiting for the water that is her birthright. The infant-king has other plans.

A baroque, maximalist digital composite in the style of a satirical political cartoon meets high-church iconography. Donald Trump sits enthroned at the head of a long gilded mahogany table, rendered in soft AI halo-light — the kind of beatific glow normally reserved for Renaissance altarpieces. He wears both a business suit and a suggestion of papal vestments, loosely layered. Around him, courtiers in military medals and tech-bro stubble genuflect, arms outstretched. Eagles, American flags, and a faint suggestion of dollar signs float among the golden light. The composition deliberately mimics Last Supper staging. Background hints at a gilded ballroom-temple with crystal chandeliers. Colour palette: deep crimson, imperial gold, and sickly angelic white. The mood is equal parts reverent and grotesque — Rubens meets Mad magazine. No text overlay.

Trump is not The Messiah, just a very Naughty Boy

When Donald Trump posted an AI-generated image of himself as a divine healer — haloed, beatific, hovering over the sick like a Sistine saviour — the cult of self had finally annexed the cult of Christ. A satirical dispatch, written in homage to Martin Amis, from the gilded ballroom-temple of the Trumpian court: where the joke is on all of us.

Raccoon in a suit sitting between two men at an interview table with a microphone

VANCE DROPS IN

JD Vance has just returned from negotiations with Iran. The Strait of Hormuz is still closed. Two C-130s are still on a dirt strip outside Isfahan. And the Vice President would like to explain, in his own words, why this is going tremendously. Urban Wronski channels Clarke and Dawe. Stand by.