A Housing Commission kitchen table with black rosary beads, a window behind showing two worlds: a modest 1960s Sydney housing estate on one side and a clifftop home with ocean views on the other.

Anthony Norman Albanese crossed Parramatta Road the way other people cross a street: with the calm and conviction of someone who has rehearsed the gesture for television. He came from a housing commission island ringed by depots and the click-clack of Catholic rosary beads, black as anthracite and polished to a gloss by the unrelenting petitions of the poor but faithful. He was, as the campaign line put it, a son of a single mum. It was also an opening line with longer ambitions.

A Victorian workshop scene with machinist’s tools on a worn bench, an empty ceremonial chair bearing a knight’s sash, and a faded Labour banner reading “The Moral Case For Socialism” on the wall behind.

Sons of Toil, Part I: The Toolmaker’s Bequest

Keir Rodney Starmer came into the world named after the great Scottish agitator who opposed a popular war and was expelled from Parliament for it. The naming was the most radical act the Starmer family would perform for the next six decades. After that, everything moved in precisely the opposite direction.

Engraving-style illustration of an empty Bedlam-era asylum gallery with a crowd of identical white-coated doctors applauding around a single hospital bed beneath a giant certificate.

Catch 22

Heller’s Catch-22 was the trap no rational mind could escape. Trump has built it in reverse, proving his unfitness 122 doctors at a time.

Satirical illustration of men in business suits kneeling barefoot in snow before golden gates, with the White House and a brightly lit cage-fighting octagon visible on the lawn beyond, bunting on the fence and banknotes drifting down like snowflakes.

Canossa on the South Lawn

In 1077 a king knelt three days in the snow at Canossa, and it worked. Nine and a half centuries on, the pope-king turns eighty behind a cage on the South Lawn while the pretenders queue: a trillionaire, a Crown Prince, and a deputy sheriff paying by direct debit. Urban Wronski on the new Investiture Controversy.

One Careful Owner


The interview never happened. It should have. John Clarke died in 2017, and the genre died with him: the po-faced minister, the patient interrogator, the absurdity delivered in the flat tones of a man explaining a routine procurement. So here is the sketch he might have written, had he lived to watch us buy three used submarines and call it a defence strategy.

The set is two chairs and a desk. We join them mid-interview.


DAWE: Minister, under the original deal Australia was to receive three submarines. Two second-hand, one brand new.

CLARKE: The new one was the exciting one.

DAWE: And now?

CLARKE: Three submarines, Bryan. The number remains unchanged.

DAWE: But the new one has gone.

CLARKE: The new one has been streamlined.

DAWE: Into what?

CLARKE: Into an older one.

DAWE: So all three are now second-hand.

CLARKE: All three are proven. We’ve placed a premium on simplicity. The brand-new one had never been to sea. We didn’t know it. These, we know everything about. We even know how old they are.

DAWE: How old are they?

CLARKE: Between six and fifteen years.

DAWE: The design life is thirty-three.

CLARKE: So someone’s taken care of the difficult early years. We’ve outsourced the running-in. The Americans have very kindly absorbed the depreciation.

DAWE: The country is paying an extraordinary amount of money.

CLARKE: You could buy a great many doughnuts, Bryan.

DAWE: We’re not buying doughnuts.

CLARKE: No, but it gives you a sense of scale. Warehouses of them. Fresh daily.

DAWE: For three used submarines.

CLARKE: One careful owner. Full service history.

DAWE: When do they arrive?

CLARKE: The first in 2032. And in the meantime, the jobs. That’s what nobody mentions.

DAWE: What jobs?

CLARKE: We have two hundred Australian tradespeople at Pearl Harbor. Skilled people. Working on the submarines.

DAWE: Our submarines.

CLARKE: The American ones.

DAWE: We’ve sent Australian workers to fix the US Navy’s submarines.

CLARKE: To increase their sea days. They’re behind, the poor beggars. Can’t build them fast enough. So we’re helping out.

DAWE: While we wait for ours.

CLARKE: While we wait. It’s the alliance, Bryan. You give a little.

DAWE: We’re paying an enormous sum and supplying labour to build the boats the seller hasn’t finished.

CLARKE: When you put it like that it sounds transactional. This is a friendship. You don’t keep score.

DAWE: Minister, are we any safer?

CLARKE: They’re perfectly safe, Bryan.

DAWE: Safe from what?

CLARKE: From the threat.

DAWE: Which threat?

CLARKE: The one we don’t name. You don’t name it. That’s the whole point of it.

DAWE: But you’ve costed it. You’ve sent two hundred tradesmen to Hawaii over it.

CLARKE: We’ve had to be prudent.

DAWE: About a country you won’t name.

CLARKE: Our largest trading partner, Bryan. You don’t insult a customer.

DAWE: So we’re defending ourselves against the people we sell the iron ore to.

CLARKE: We sell them the iron ore. They sell us the anxiety. It’s a very balanced relationship.

DAWE: And the submarines arrive when?

CLARKE: The first in 2032. The Australian-built ones in the 2040s.

DAWE: Until then?

CLARKE: You’ll always know where they are.

DAWE: Thank you for your time.


A note to readers: this, invented interview is a tribute to the comic genius of John Clarke and Bryan Dawe, their remarkable craft and timing and an act of homage to a tradition of satire that is razor-sharp and yet utterly minimalist. Pared to the essentials. Two chairs, a desk, rather than any set and the truth said plainly enough to be unbearable. There is no greater compliment.

A very close cousin to this text also currently appears in The AIMN under, “Underwater Matters: AUKUS and the Art of the Used Submarine.”


Empty spotlit stage with a card table holding a gavel, a gold watch and a furled flag beneath a torn banner reading "PEACE DEAL".

The Art of the Steal

Trump killed Truth, Justice and the American Way. The same announcement-as-product racket just sold Australia three second-hand submarines and called it a triumph.

A dark expressionist illustration of a vast bureaucratic machine extending mechanical arms bearing legal documents toward silhouetted human figures below, representing Australia's legal apparatus used against whistleblowers and independent journalists.

The Invisible Press, Part 2

The Australian Harrow does not use needles. It uses bail conditions, suppression orders, national security legislation, and pre-trial process that can run for years before a single day in open court. David McBride got six years in gaol for telling the truth. Bernard Collaery was prosecuted for defending his client. The penal colony never really ended. It merely changed its dress code.