Category: Politics and Society

A dark expressionist illustration of a vast bureaucratic machine extending mechanical arms bearing legal documents toward silhouetted human figures below, representing Australia's legal apparatus used against whistleblowers and independent journalists.

The Invisible Press, Part 2

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The Australian Harrow does not use needles. It uses bail conditions, suppression orders, national security legislation, and pre-trial process that can run for years before a single day in open court. David McBride got six years in gaol for telling the truth. Bernard Collaery was prosecuted for defending his client. The penal colony never really ended. It merely changed its dress code.

Split image evoking 1953 Tehran and 2026 missile strikes over Iran, with declassified document text bleeding across both halves.

The Monster They Made (Part 1)

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The coup did not sow the seeds for the Islamic Revolution. It constructed the machinery. SAVAK liquidated every secular democrat who might have led a modern Iran. The mosque was left standing because it was the one institution the secret police found too difficult to penetrate. Every morning the Australian media tells us the bombing is regrettable but the regime is monstrous. It does not explain who built the regime.

Satirical Farrer election scene with oversized ballot box

The Front Fell Off The Coalition

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Written in tribute to the late great John Clarke and his long-suffering straight man Bryan Dawe, whose two chairs and a clipboard remain the gold standard of Australian political satire. The occasion: One Nation’s historic first win in the House of Representatives, the Coalition’s nine-point-eight per cent primary vote in a seat held since 1949, and an exit strategy that turns out to be no exit at all. Going forward.

Australian Parliament House exterior under overcast sky, Canberra.

That Was The Week That Was No. 1, Part One: The Repository of All Wisdom

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Tony Abbott, they whisper, is the answer. One pauses to consider the question. The man who stopped the boats is looking for votes — and the portfolio he has quietly assembled since Warringah showed him the door is not a gaffe reel. It is an ideology rendered as a CV. Fox Corp is the mothership. The GWPF handles the science. Quadrant handles the culture. The Ramsay Centre handles the universities. The Danube Institute handles the international networking. And the Australian Liberal Party, should Abbott have his way, handles the politics. It turns out he was the repository all along.

A dark editorial cartoon showing a self-satisfied bureaucrat at a desk marked “Sustainability Taskforce” signing documents while a exhausted woman with an NDIS appeal folder sits in a waiting room behind him, and through the window a nuclear submarine sits in dry dock with a $425 billion price tag.

Governments Just Get On With the Job: Mark Butler’s Razor Gang and the NDIS They Want You to Forget

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Lisa Goodwin’s twins are autistic. She applied three times, fought for years,
and when Labor announced its latest cuts she called it “a betrayal.” Urban
Wronski on Mark Butler’s razor gang, the $425 billion submarine program eating
the fiscal space disabled children once occupied, the algorithm that replaces
human judgment, and the shearing sheds that would not recognise the party
that grew from them.

Two figures in a satirical theatrical setting -- one in a suit holding a Bible and military briefing document with a lanyard reading "Office of Sacred Communications," the other a composed interviewer with a clipboard -- lit by a single spotlight, with St Peter's Basilica and a naval carrier group suggested in the background shadows.

The Holy War on the Holy See

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Pete Hegseth has a muscular theology. The Pope has Augustine on his side and refugees on his schedule. The Vice President has been explaining Just War theory to an Augustinian. Clarke and Dawe have two chairs, a lanyard marked “Office of Sacred Communications,” and the truth hiding in plain sight. Urban Wronski referees.