Category: Trump

Editorial illustration in the style of George Grosz and Honoré Daumier: A bloated, orange-toned figure in a suit stands center frame with arms raised in a 'V,' surrounded by a spiraling vortex of FBI files and court documents. Dusty child’s shoes lie at his feet, while a shadowed congressman observes from the side against a background of television static

Is Trump Bullet-proof?

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A man called Cole Tomas Allen arrived at the White House
Correspondents’ Dinner with a shotgun, a pistol, knives, and a
manifesto. He called himself the Friendly Federal Assassin. He
did not kill Trump. But by midnight, the president was invoking
Lincoln, the theology machine was running, and the Epstein
Inspector General probe had slid quietly to the bottom of the
news agenda. Again.

A darkly comic music-hall illustration showing an oversized grotesque figure in a business suit pointing at a gilded mushroom cloud chandelier, while in the background a bombed city silhouette looms and a child holds an almost-empty water bottle beside a drainage culvert.

The Lovely War

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Donald Trump threatens Iran the way he once threatened a recalcitrant steak: same wounded, flinty, infant-king fury. A working homage to Martin Amis — on the Epstein flights, the six-billion-dollar goon squad, the taunting of a proud civilisation, and a nine-year-old girl in Minab waiting for the water that is her birthright. The infant-king has other plans.

The radome spheres of Pine Gap intelligence facility visible against the Australian desert sky at dusk, small against the vast red landscape

Not Reporting A War Part 2

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Pete Hegseth is the Peter Principle applied to the largest weapons arsenal in human history. Pine Gap guides the missiles. Australian-made F-35 parts are in the payload. And our media calls it a partnership. Part Two of Urban Wronski’s investigation into what Australia’s press is not reporting, and what our silence is costing.

The Erasure of a Civilisation Part 2 of Donald Trump, the War on Iran, and the Rules Nobody’s Enforcing

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On the morning of April 7, Donald Trump posted that a whole civilisation would die that night. He was not bluffing. Part Two of Urban Wronski’s Operation Epic Fury series examines the systematic destruction of Iranian universities, libraries and cultural institutions, the weapons tested on children, and what it means that none of the rules are being enforced.

Trump’s Invisible Airstrip Show

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Trump burned two C-130s on an Iranian runway, declared total victory, and is now threatening to demolish the power grid of 92 million people. Tonight is the deadline. Urban Wronski on the Easter debacle built on assumption, sustained by bluster, and ending in wreckage that no quantity of “WE GOT HIM!” can unbog.

Sparse television interview set in the style of Clarke and Dawe: interviewer at desk, suited figure rising to leave, clutching a shopping bag labelled ALBO, Pine Gap radomes faintly visible through studio window behind him.

A Man of His Word

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Bryan Dawe is seated. John Clarke enters in a suit, slightly harried, carrying a reusable shopping bag with “ALBO” written on it in texta.
Australia sent troops to a war it hasn’t declared, through a base it won’t discuss, after a school massacre it can’t explain, while the Prime Minister assures us that transparency is everything. Clarke and Dawe, imagined for the age of Operation Epic Fury.