Category: Politics and Society

Two figures in a satirical theatrical setting -- one in a suit holding a Bible and military briefing document with a lanyard reading "Office of Sacred Communications," the other a composed interviewer with a clipboard -- lit by a single spotlight, with St Peter's Basilica and a naval carrier group suggested in the background shadows.

The Holy War on the Holy See

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Pete Hegseth has a muscular theology. The Pope has Augustine on his side and refugees on his schedule. The Vice President has been explaining Just War theory to an Augustinian. Clarke and Dawe have two chairs, a lanyard marked “Office of Sacred Communications,” and the truth hiding in plain sight. Urban Wronski referees.

Richard Marles, Deputy Prime Minister and Minister for Defence, at a press conference projecting institutional confidence while Australia’s defence procurement record, AUKUS submarine delays, the Washington happenstance encounter, and the Geelong refinery fire suggest a more complicated story

DeadWood Marles: Australia’s Liberal in Drag

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He is, in the most precise political sense available, a Liberal in drag. Same tough talk on alliances and deterrence. Same fondness for American hardware and AUKUS largesse. Wrapped in just enough factional red to keep the true believers satisfied. All suit, no spark. And a remarkable talent for making national security sound like a mildly confusing numbers meeting that ran somewhat overtime. Urban Wronski profiles Richard “DeadWood” Marles, Deputy Prime Minister and Minister for Defence.

Mission Impossible

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Trump’s Hormuz blockade is live. Oil is at $102. China’s Defence Minister says the strait is open for Chinese ships and dares the US to stop them. A forty-nation coalition is forming against the blockade. And one of the last two tankers carrying pre-war oil on earth is heading to Australia. Urban Wronski on the war Trump cannot win.

The radome spheres of Pine Gap intelligence facility visible against the Australian desert sky at dusk, small against the vast red landscape

Not Reporting A War Part 2

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Pete Hegseth is the Peter Principle applied to the largest weapons arsenal in human history. Pine Gap guides the missiles. Australian-made F-35 parts are in the payload. And our media calls it a partnership. Part Two of Urban Wronski’s investigation into what Australia’s press is not reporting, and what our silence is costing.

Sparse television interview set in the style of Clarke and Dawe: interviewer at desk, suited figure rising to leave, clutching a shopping bag labelled ALBO, Pine Gap radomes faintly visible through studio window behind him.

A Man of His Word

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Bryan Dawe is seated. John Clarke enters in a suit, slightly harried, carrying a reusable shopping bag with “ALBO” written on it in texta.
Australia sent troops to a war it hasn’t declared, through a base it won’t discuss, after a school massacre it can’t explain, while the Prime Minister assures us that transparency is everything. Clarke and Dawe, imagined for the age of Operation Epic Fury.

Editorial illustration of corporate and political figures examining a glowing global gas map that is cracking into flames, while shadowed civilians stand in the background.

The Seduction of Simple Answers

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A seductive theory claims the US-Israel war on Iran is driven by LNG profits. It sounds convincing. It is also wrong. When examined closely, the market logic collapses, leaving behind a far messier and more dangerous reality.

Russian nesting dolls representing layers of the US-Iran war: money, military force, great power rivalry, and Australia

The Stench of Desperation: Trump’s War on Iran and the Babushka of Greed, Ego, and Catastrophe

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To make sense of Trump’s war on Iran, imagine a Russian
babushka doll. The outer layer is the story the Pentagon feeds
us. Inside it: petrodollar entanglements, Kharg Island
war-gaming, the strategic patience of Moscow and Beijing,
Netanyahu’s fantasy of the purifying blow. At the very centre,
smaller than it should be, is Australia. Urban Wronski opens
all six layers and does not like what he finds.