Category: Modern mass-media

Editorial illustration in the style of George Grosz and Honoré Daumier: A bloated, orange-toned figure in a suit stands center frame with arms raised in a 'V,' surrounded by a spiraling vortex of FBI files and court documents. Dusty child’s shoes lie at his feet, while a shadowed congressman observes from the side against a background of television static

Is Trump Bullet-proof?

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A man called Cole Tomas Allen arrived at the White House
Correspondents’ Dinner with a shotgun, a pistol, knives, and a
manifesto. He called himself the Friendly Federal Assassin. He
did not kill Trump. But by midnight, the president was invoking
Lincoln, the theology machine was running, and the Epstein
Inspector General probe had slid quietly to the bottom of the
news agenda. Again.

ALL I WANT FOR CHRISTMAS IS MUM’S LOGIN: How Labor’s Social Media Ban Became a Masterclass in Government Theatre

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Christmas 2025, and Australia’s teenagers are unwrapping their presents: new VPNs, borrowed parental logins, and AI-generated profile photos. Two weeks into Labor’s world-first social media ban, and it’s already a monument to performative governance. Meanwhile, the minister who should be celebrating is in hiding over travel rorts, and the policy architect has vanished into an expenses scandal. Welcome to government theatre at its finest.

Quiet, Piggy: How Calling a Female Reporter Livestock Became Just Another Tuesday in the Death of American Democracy

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This is it—the final piece examining what “quiet, piggy” really means.
We’ve traced how outrages disappear (Part One) and mapped the nine-year war on women who speak (Part Two). Now we need to understand the broader pattern.
Because what’s happening isn’t chaos. It’s a playbook. Refined over decades. Tested globally. Deployed in America with surgical precision.
The question isn’t whether you’ll recognise the strategy. It’s whether you’ll resist before the window slams shut.