Tag: Australian Foreign Policy

Aerial view of oil tankers gridlocked in the Strait of Hormuz at dusk, black smoke rising from a distant refinery against an orange sky.

Persian Stalemate

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Thirty days in, Operation Epic Fury has achieved something genuinely historic: it has made the world less safe, energy more expensive, American alliances more threadbare, Iran more unified, and the US military more fractured — all simultaneously. Pete Hegseth is praying for Armageddon. His troops are filing conscientious objector applications. And in the Strait of Hormuz, the tankers stay put. Urban Wronski on the stalemate that no ground invasion can break and no prayer can win.

Satirical editorial cartoon showing a dancing monkey in a gold tie on a Middle East map, flanked by two organ grinder figures – one in a Western suit, one in Gulf robes holding a bone-saw. A burning oil tanker sits on dark water behind them. A dragon watches from above. A small applauding figure stands in the corner. Illustration in the style of George Grosz and Gerald Scarfe.

Don’t blame the organ-grinder; the monkey had a choice.

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Trump didn’t stumble into the Iran disaster alone. Every catastrophe has its infrastructure – the courtiers, the flatterers, the transactionalists, the true believers, and the merely opportunistic who supplied the scaffolding. Bibi and MBS worked the organ grinders’ handles with professional dedication. But the monkey chose to dance. And in the corner, a daggy bloke from Cronulla was clapping.

Silhouetted figures seated at a circular table in a bare, harshly lit room, backs turned to a door standing slightly ajar, light bleeding through the crack.

No Exit

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Jean-Paul Sartre wrote a play about three people locked in a room with an unlocked door nobody would walk through. He called it No Exit. He was writing about Operation Epic Fury seventy years before it happened. A forensic anatomy of a war built from mutual imprisonment, strategic miscalculation, and the fatal habit of assuming the other side thinks like us.

Editorial illustration of a knight in tarnished rusty armour standing at a press podium with an Australian flag, while a remote island detention centre is visible in shadow behind him.

The Photo-Op Refugee: Australia’s Selective Compassion

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Australia granted asylum to six Iranian footballers this week and the ministerial photographs were impeccable. Behind them sits a detention archipelago that cost taxpayers four million dollars per person per year to maintain, a Witness K prosecution that criminalised truth-telling, and legislation introduced the same week to ban entry to entire nationalities without individual assessment. Urban Wronski looks behind the photo opportunity.

As Trump Threatens Weekend Strike on Iran, Albanese Pretends Pine Gap Isn’t Complicit

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Albanese’s Iran Illusion: How Australia Sleepwalks into Someone Else’s War While our federal government waffles on about rules based order, Iran is rewriting the rules of modern warfare. Trump is threatening regime-change. The Strait of Hormuz has become a kill box where $13 billion aircraft … Continue reading As Trump Threatens Weekend Strike on Iran, Albanese Pretends Pine Gap Isn’t Complicit

The Rules-Based Order: Where America Gets Away with Murder, and Everyone Else Gets the Bombs

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The US and its allies including Australia don’t give a fig about Iranian or Palestinian lives. If they did, they wouldn’t be starving Iranians with sanctions that block medicine, food and fuel. They wouldn’t be funding insurgents who turn protests violent, ensuring the regime cracks down harder. They wouldn’t be threatening war while pretending to care about “the brave Iranian people”.

Editorial illustration showing split screen of US military helicopters bombing Caracas at night on left, with oil infrastructure and corporate symbols on right, representing imperial resource extraction in Venezuela

The Venezuela Playbook: How Australian Media Sold Us Another War

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Venezuelan strongman Maduro seized in daring US operation.” That’s how our ABC led the coverage. But what we witnessed was an illegal military invasion of a sovereign nation dressed up as law enforcement. This is the anatomy of an imperial project: demonisation, sanctions, crisis, military intervention. We’ve seen it in Iraq, Libya, Syria. Now Venezuela. The pattern is identical. The oil is the prize. The “narcoterrorism” is just marketing. And Australian media are selling it with a straight face while we’re complicit through intelligence sharing and lockstep UN votes. Part One of an investigation into how empires manufacture consent—and why we keep falling for it.